Your thesis must be a manuscript long enough to reflect the overall plan and design of a finished book, and to demonstrate your command of the ideas, techniques, and strategies of your genre. In prose, the manuscript should be at least 30,000 words. In poetry, the length should be at least 45 pages. A finished manuscript that is shorter than these lengths must be approved by the members of the individual thesis committee. Bear in mind that all theses also must be accepted by the Department of English and the College of Humanities and Social Sciences.
Each manuscript should be mechanically correct, regardless of genre. More importantly, the manuscript, regardless of genre, should show each student’s ability to meet the intellectual and imaginative challenges of a longer work—such as identifying and defining a subject and theme that merit treatment at length; conducting necessary research; establishing a consistent point of view and voice; establishing a consistent sense of a speaker, especially in a poetry collection or in a prose narrative; maintaining a writerly presence throughout a work; establishing a consistent sense of the reader’s role; with multiple-part works, such as poetry or story collections, finding an arc of relationship among individual works in the manuscript; in a single-volume work such as a novel, finding a unified story line or arc; demonstrating a range of technique and craft; revising in a way that shows an ability to identify weaknesses and solve problems; and demonstrating an awareness of work that is relevant to your own written by other poets and writers.
The role of the thesis director varies somewhat by genre as well as by individual faculty and student preferences. Though not quite a collaborative project between you and your director, the thesis represents a chance for you to establish your own professional work habits as you complete a major work under the guidance of a mentor who is there to help you conceptualize and carry out the project. To accomplish this end, each student should work out an individual schedule with his or her director. Based on your work habits and strengths as a writer and your relationship with your director, you and your director may agree to meet three or four times as you work on the thesis, to talk in detail about writing and assembling the thesis. Or you may draft the whole thesis almost as if it were an independent project, and meet only after the full draft is available for discussion—but then you may meet several times once the work is at that stage. You and your director should be clear about your expectations of each other, and you should ask your director if you have questions. Be particularly clear about the schedule you need to meet in order to ensure that the drafts and revisions are available as your director and other committee members expect them to be. Also be particularly clear about the final deadline for submitting the final thesis, and about the amount of time your committee needs between your completing the thesis and your having to submit it for approval by the Department of English and College of Humanities and Social Sciences.
Generally speaking, you should expect that your thesis readers will want to see a completed draft of your manuscript by the end of the first week of the last full month of the semester in which you’re finishing the thesis—so, April for spring graduates or November for fall graduates. At that time, you should provide each of your readers with a hard copy of your manuscript (do not send it as an email attachment unless the director and committee members have approved your doing so). Please note that your readers do not expect to see the manuscript until the draft is complete, and their role is secondary to that of your director. The readers generally will either approve your thesis and provide brief commentary; or, if he or she disapproves, will ask for specific revisions to be carried out before his or her approval is granted. Readers also may wish to discuss a thesis draft with the director of the committee, and may ask the director to incorporate the reader’s observations into his or her own comments to the student in order to simplify the process of giving and getting feedback.
A typical year-long thesis project actually is more than a year-long project. The calendar for such a project might look like this:
Registering for a thesis requires advance planning--start the semester before you plan to enroll at the latest. Registration comes only at the end of a number of steps...
STEP 1: Finding a Committee:
The first time-sensitive task is finding a director. Faculty schedules generally fill up a semester in advance, so students planning a spring thesis should start working to find an appropriate director in the fall. An email will go out with a request form in which you can identify your first, second, and third choice for director. That form must be returned to jhostler@gmu.edu or wmiller@gmu.edu by the posted deadline. Once all forms have been received, directors are assigned based on ranking and availability. Assignments are then distributed by email.
You are encouraged to identify a director who has some expertise in, and sympathy for, the project you're considering--an instructor, for instance, whose class inspired the project in some way. Finding a director goes hand-in-hand with formalizing the project, or at least with figuring out a rough version of what you'd like to work on. Please note that your adviser is not automatically your director; note, too, that not all faculty are willing to work with students whom they haven't taught at least once. (Note that in general faculty members do not oversee thesis work during the summer, although there are some rare exceptions; still, you should not count on it.)
Of course, all thesis students need two other readers as well a director; these can be chosen in consultation with the director. In general, all three readers are from the English department; on occasion, however, it is possible to bring in someone from outside the department within the university, if the subject demands a specific expertise that isn't represented in the department. The outside member needs to be formally vetted both by the committee and by the Creative Writing Director (Bill Miller, wmiller@gmu.edu), and can never serve as director.
STEP 3: Turn in Your Signed Proposal:
STEP 4: Registering for ENGL 799:
You must complete the proposal checklist above and receive registration info via email before you can register for thesis hours.
Once you receive the registration information (CRN and section number), you may register for ENGL 799.
Once you have completed the required number of thesis hours and are in the final stages of writing your thesis, you need to meet with Sarah Patton, the GMU Dissertation and Thesis Coordinator, in Fenwick library. She must approve your formatting prior to printing a final copy. She can be reached at 703.993.2222 or spatton@gmu.edu. Please note that the sooner you contact Sarah Patton, the easier this process will be for you.
After your thesis formatting is approved, once again you need to acquire all of your committee members signatures (who, we assume have read the thesis and approve of it). Once again, the Gradaute programs manager can help collect signatures from your committee members. Please note one important difference: even though the graduate programs manager could sign by proxy for your committee members on your thesis proposal, THE GRADUATE PROGRAMS MANAGER CAN NOT SIGN FOR YOUR COMMITTEE MEMBERS ON THE FINAL SIGNATURE SHEET.
Signature checklist:
For more information about the thesis process go to thesis.gmu.edu. You’ll find formatting templates and all the necessary forms available for download.